東京画廊+BTAP
Tokyo gallery + BTAP
画廊单位B01
1950年東京画廊动作日本最早的现现代艺术画廊在银座确立。画廊率先的贪图重心是近代日本具象绘图，曾举办有如1956年鸟海青儿展、57年万铁五郎展、加山又造展等等。1958年经过好意思术评述家泷口修造的保举，举办了斋藤义重的展览；1960年代，画廊第一时分向日本先容如Lucio Fontana（卢西欧·丰塔纳）、Yves Klein（伊夫·克莱因）、Jackson Pollock（杰克逊·波洛克）、Friedensreich Hundertwasser（佛登斯列·汉德瓦萨或百水先生）等西方艺术家展览，同期积极为高松次郎、白髪一雄、冈本太郎等引颈日本现代艺术发展的艺术家们举办展览。
1970年代，屡次谋划金焕基、李禹焕、金昌烈、朴栖甫等韩国艺术家展览，为韩国现代艺术的赶快崛起赐与了很大匡助；并在1980年代着眼那时不为东说念主知的中国现代艺术，举办了徐冰、蔡国强等东说念主的个展，向全全国发布着以中日韩为中心的亚洲现代艺术信号。2002年在北京的798艺术区内开设了北京东京艺术工程（BTAP）。自此，东京画廊＋BTAP恰是确立。東京画廊+BTAP（北京空间）自1990年代以来谋划了一系列实验性的展览表情，积极向全国实践中国现代艺术，包括“北京浮世绘”、“念珠与笔触”、“什么是物派”等大型学术展览，齐为中国现代艺术界产生了积极的影响。频年来，东京画廊+BTAP的展览谋划主要围绕“新暧昧方针”系列展而谋划，此表情试图整合东亚现代性的特有训戒，寻找艺术的可能性，同期奋发开荒一个旨趣性的好意思学不雅。
画廊内景
Tokyo Gallery， the first contemporary art gallery of its kind in Tokyo， was founded in 1950. Located in Tokyo’s Ginza district， the gallery celebrated its 60th anniversary in 2010. From its inception， the gallery’s core operations centered on the works of modern Japanese figurative painters such as Chōkai Seiji (1956)， Yorozu Tetsugorō (1957) and Kayama Matazō. In 1958， following a recommendation by art critic Takiguchi Shūzō， the gallery was host to an exhibition by Saito Yoshishige. In the 1960’s， the gallery was a forerunner in introducing a series of Western avant-garde artists to Japanese audiences， among whom Lucio Fontana， Yves Klein， Jackson Pollock and Friedensreich Hundertwasser. Meanwhile it was also instrumental in supporting experimental projects by now internationally-renowned Japanese artists， including Takamatsu Jirō， Shiraga Kazuo， Okamoto Tarō and members of the Mono-ha movement. Tokyo Gallery introduced their artworks to international audiences through art fairs， collaborations in biennales and acclaimed exhibitions at major museums.
In the 1970’s， the gallery began working with Korean artists such as Kim Whangki， Lee Ufan， Kim Tschang-Yeul and Park Seo-Bo. From the 1980’s onward， it also began exhibiting hitherto unknown Chinese artists including Xu Bing and Cai Guoqiang， thus taking on the role of signaling beacon for Asian contemporary art with a focus on China， Japan and Korea. In 2002， the gallery opened a new space named BTAP in the now world-renowned Beijing 798 Art District， marking the establishment of Tokyo Gallery + BTAP. Under its new moniker， the gallery’s Beijing location organized a series of experimental exhibitions from the 1990’s onward， actively spreading Chinese contemporary art to the world via such large-scale academic exhibition projects as Beijing “UKIYOE”， Prayer Beads and Brush Strokes and What is Mono-ha?. In so doing， it left a positive impact on the Chinese contemporary art world， allowing it to further its mission of discovering and promoting both established and emerging artists. In recent years， exhibition planning at Tokyo Gallery + BTAP has primarily revolved around an exhibition series themed around the notion of Neo-Mōrōism. This [Neo-Mōrōism] project aims to integrate the unique experience of East Asian modernity and explore the possibilities of art， while striving to establish an underlying aesthetic vision.
田畑幸东说念主 東京画廊+BTAP 总监
TABATA Yukihito Tokyo Gallery + BTAP Director
田畑幸东说念主1950年生于东京，动作日本第一代现代好意思术画廊－東京画廊的首创东说念主山本孝的次子，田畑幸东说念主与東京画廊+BTAP同龄。从孩童期间启动，田畑便与艺术家们为伍，这种生涯训戒培养了他关于艺术淡雅的审好意思和灵通的气派。高中期间启动千里迷于泰西现代艺术，70年代启动受父亲影响对中国传统书画产生了兴味。
1973年，田畑幸东说念主崇拜插足東京画廊使命，主要负责韩国现代艺术，于1975年协助完成了韩国现代艺术在日本的初度展览“Five Hinsek ‘White’5 Korean Artists‘5”(“五个‘白’五位韩国艺术家”，参展艺术家家有朴西甫、李东熀、徐承元、许榥、权宁禹)，尔后握续情愫韩国现代艺术，不时为金基焕、金昌烈、朴西甫、李禹焕、沈文燮、尹亨根、丁昌燮、李康昭、李明好意思等东说念主作念过屡次个展。在此经由中，他浓烈感受到了亚洲的首要性和亚洲文化的深厚魔力。
1989年2月田畑幸东说念主第一次来到中国，参不雅了“89现代艺术大展”，老成了徐冰等艺术家，让他感到中国现代艺术的颠簸，尔后启动潜入宣战中国艺术家，确定了中国现代艺术在改日环球艺术中的首要性。1989年7月田畑幸东说念主在日本举办了首个中国现代艺术展“中国现代艺术‘刻下’”。尔后崇拜启动实践中国现代艺术。1990年代先后为徐冰、蔡国强、黄锐、刘炜、星星十五周年、星星二十周年等在日本举办展览。
插足21世纪后，田畑幸东说念主积极在中国寻找空间，于2002年在艺术家黄锐的先容下，在北京798开设了BTAP空间，并于同庚10月推出了空间首展——由冯博一策展的“北京浮世绘”，尔后空间以每年6~8个展览的密度握续为宣传实践中国现代艺术发声，不时推出“念珠与笔触”、“铸”、“物尽其用”、“什么是物派”等经典展览。2012年，田畑幸东说念主为挖掘亚洲文化语境下确现代艺术，提倡“新暧昧方针”办法，并于2013年启动谋划了大型海外展览“新暧昧方针”，于今已举办“新暧昧方针”主题展8回，并将在这一边界不绝深耕。
Born in 1950， Yukihito Tabata， second son of the founder of the first generation art gallery Tokyo Gallery， Takashi Yamamoto， is of the same age as the gallery. He became associated with artists since childhood， and this experience cultivated his aesthetics and an open attitude to things. Since high school， he became fascinated with Euro-American contemporary art， and since 1970s， he became interested in Chinese traditional arts.
Tabata officially began his career at Tokyo Gallery in 1973 in charge of contemporary Korean art， and in 1975， he helped realise the first exhibition of contemporary Korean art in Japan “ Five Hinsek ‘White’5 Korean Artists‘5” (participating artists include Kwon Young-Woo， Park Seo-bo， Suh Seung-Won， Hur Hwang， and Lee Dong-Youb). He remained committed to contemporary Korean art， successively holding solo exhibitions for the artists ... . Through this undertaking， he wholeheartedly felt the importance of Asia and the profound charm of Asian culture.
Tabata first visited China in February 1989， visiting the “89 Modern Art Exhibiton” and making acquaintance with artists like Xu Bing， which made him feel the power of Chinese contemporary art. Since then， he started engaging with Chinese artists， reassured of the importance of Chinese contemporary art in the future. Tabata held the first exhibition of Chinese contemporary art in Japan “Chinese contemporary art ‘Now’”. Thereafter， he officially began advocating for Chinese contemporary art. Around 1990s， he held exhibitions in Japan for Xu Bing， Cai Guoqiang， Huang Rui， Liu Wei， the 15th and 20th anniversaries for the Stars Group.
Tabata began searching for a gallery space in China since the 21st century. In 2002， introduced by the artist Huang Rui， he set up the BTAP space in 798 Beijing， and in October the same year， he held the first exhibition there “Ukiyo-e of Beijing” which was curated by Feng Boyi. Since then， the space held 6-8 exhibitions each year with the aim to promote Chinese contemporary art， launching iconic exhibitions such as “Rosary Beads and Brush Strokes"， “Casting”， “Wast Not”， and “What is Mono-ha?“. In 2012， determined to uncover cultures belonging to the Chinese context， Yukihito Tabata put forward the concept of "Neo-Mōrōism" and began the curation of the large scale international exhibition “Neo- Mōrōism”. The exhibition has by now welcomed its 8th round， and Tabata will continue his exploration in this area.
作 品 推 荐
云在线Recommended Works
杉山功 SANTUARIO 310° 37x11x10.5cm 大理石 2009
Isao Sugiyama SANTUARIO 310° 37x11x10.5cm Marble 2009
冈本信治郎 大笑的梵高 116.7x80.3cm Liquitex 1963-1997
Shinjiro Okamoto Laughing Van Gogh 116.7x80.3cm Liquitex 1963-1997
林于想 银河 68x90cm 纸本水墨 2017
Lin Yusi The Milky Way 68x90cm Ink and color on paper 2017
田卫 1820-2018 紫金山之四 136x33cm 宣纸水墨 2019
Tian Wei 1820-2018 Mount Zijin 4 136x33cm Ink on paper 2019
王舒野 时空赤身 即 (122) 84x114cm 墨、岩彩、麻纸 2018年
Wang Shuye A Space Time Nude Identical(122) 84x114cm Ink、Mineral pigment、Japanese paper
曾健勇 诸野之余 纸本设色 2020
Zeng Jianyong The folk Society 50x50cm Ink and color on paper 2020
张天幕 跑着跑着就飞起来了之含蓄 41x32cm 纸本坦培拉 2018
Zhang TianmuThen you fly， through the sky - Contain 41x32cm Tempera on paper 2018
朱建忠 云归处 46x43.5cm Ink on paper 2020
Zhu Jianzhong Converging cloud 46x43.5cm Ink on paper 2020
叶剑青 月夜 120x80cm 布面油彩、矿物色 2019
Ye Jianqing Moonlit Night 120x80cm oil， mineral pigment on canvas 2019
·图片与笔墨由画廊提供，致谢艺术家及東京画廊+BTAP
＠東京画廊+BTAP
2021艺术深圳将于9月9日至12日在深圳会展中心6号馆依期举办。本届艺术深圳共集聚来自环球12个国度28座城市的72家顶级画廊及机构参展。其中，26家画廊将初度亮相艺术深圳，为公众带来全新的艺术审好意思体验。2021艺术深圳以更精彩的画廊气势、更丰富的展览会单位、更具在地性的学术试验强势总结，期待您的参与！
The 2021 Art Shenzhen will be held as scheduled in Hall 6 of Shenzhen Convention and Exhibition Center from September 9 to September 12， 2021. The exhibition will bring together 72 top galleries and professional art institutions from 28 cities in 12 countries around the world. Among these attendants， 26 galleries will be bringing brand-new artistic aesthetic experiences to the public at Art Shenzhen for the first time. 2021 Art Shenzhen is looking forward to your participation with more attendant galleries， more exhibition sections and more academic content!
聚焦2021 · 第九届艺术深圳
Focus 2021︱The Ninth Art Shenzhen
深圳会展中心6号馆
（深圳市福田区福华三路）
Hall No.6，Shenzhen Convention & Exhibition Center
（Fuhua 3rd Road， Futian District， Shenzhen）
即日起至9月5日，预售门票通过艺术深圳官方微信购买或点击下方“阅读原文希威社 姐妹花”购买
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